

from ‘y sws mewn pinc’

from ‘y sws mewn pinc’

from ‘y sws mewn pinc’

from ‘y sws mewn pinc’

from ‘y sws mewn pinc’
The Master of Letters in Fine Art Practice Programme at The Glasgow School of Art consists of six specialist pathways (Print Media, Sculpture, Painting, Performance, Drawing and Photography and the Moving Image). The programme is studio-based and centred on practice and is intended to provide opportunities for students to pursue in-depth subject-specific study in fine art practice at postgraduate level. Undertaken over 12 months, the Programme encourages an intensive exploration of research and development of ideas from the outset, with the focus on the highest standards of practice and personal development as artists.
The students on the Programme work within the specialisms and across them, often identifying collaborative opportunities to engage with practice across the pathways and across programmes. The Programme has a diverse mix of both national and international students, attracting applicants from all over the world. This dynamic encourages the students to build a dialogue with their peers and identify meaningful connections, many of which lead to further collaborations beyond graduation from the School.


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from Poundland Wall Installation

from Poundland Prints

from My Outsides Are Now Your Insides

from Dirty Pillows


from BWA

from This Is An Emergency Service

from Room with two sinks

from Room with two sinks

from This Is An Emergency Service


from Everything Is Under Control

from The new portrait of seagull

from The new portrait of seagull

from The new portrait of seagull

from CCCcAaAANnNN


from Sonnet Eyes

from Sonnet Eyes

from Sonnet Eyes

from Sonnet Eyes

from Sonnet Eyes


from Elsewhere II

from Elsewhere

from Elsewhere

from Elsewhere

from Elsewhere


from Healers

from A landscape I don’t remember anymore

from Magdalenki

from A landscape I don’t remember anymore

from Magdalenki


from Expiravit! A Live performance 19.08.22

from Expiravit! A Live performance 19.08.22

from Expiravit! A Live performance 19.08.22

from Expiravit! A Live performance 19.08.22

from Expiravit! A Live performance 19.08.22


from Does only death last forever?

from Does only death last forever?

from Does only death last forever?

from Does only death last forever?

from Does only death last forever?


from Self Portrait in the Seventh Circle

from Ship of Fools

from Matrix

from Fear of Toasters


from Something will hit me eventually
from Something will hit me eventually

from Something will hit me eventually

from Something will hit me eventually

from Something will hit me eventually


from The Maid, The Bride, The Body

from 404 Fantasy

from 404 Fantasy

from 404 Fantasy

from As If I Am Invisible


from How far is the universe? (2021-ongoing)

from How far is the universe? (2021-ongoing)

from How far is the universe? (2021-ongoing)

from How far is the universe? (2021-ongoing)

from Details of the work


from Untitled

from Again and Again

from Again and Again

from To See is To Desire

from To See is To Desire


from Cry Me A Sad River

from I am in the Golden Pebble Beach at 2022

from I am in the Golden Pebble Beach at 2022

from A Summer of Bubbles that never Ends

from How to Make Xiongnu Great again








from The Coil

from The Coil

from The Coil

from The Coil

from The Coil


from ‘bring yourself back online’

from ‘PAUSE, INSIDE (synthetic)’

from ‘PAUSE, INSIDE (synthetic)’

from ‘bring yourself back online’

from ‘I tell you love, I am in a dream’


from Untitled 1-6

from Contract (Signed by Satanas, Beelzebub, Lucifer, Elimi, Leviathan, Astaroth and others)

from Dog Monster (BESTA)

from Untitled 1-6

from Untitled 1-6


from Zombie

from Marilith

from The Harpy, Celaeno

from The Lady Cassandra

from Soaring Like an Eagle

from Soaring Like an Eagle

from Soaring Like an Eagle


from Patty Winters Performances

from Patty Winters’ Office

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from Patty Winters Performances


from WINNER WINNER CHICKEN DINNER

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from WINNER WINNER CHICKEN DINNER


from Redacted Landscapes

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from Redacted Landscapes


from Unnatural Death

from Unnatural Death

from Unnatural Death

from Unnatural Death

from Unnatural Death


from Bone Flower

from Bone Flower

from Sharon

from Sharon

from Sharon


from Selected Works

from Selected Works

from Selected Works

from Selected Works

from Selected Works


from Don’t believe everything Yves Leather tells you!

from Don’t believe everything Yves Leather tells you!

from Inflated Pleasure

from Don’t believe everything Yves Leather tells you!

from Stay Golden


from Road to Knoydart

from Road to Knoydart

from Road to Knoydart

from Road to Knoydart

from Road to Knoydart


from Soften

from Laugh Politely

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from Soften

from Soften


from BLUE LABEL By Blue Lily

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from BLUE LABEL By Blue Lily


from Printmaking

from The Deities

from Printmaking

from The Deities

from Printmaking


from “Quick thoughts and the deconstruction of my mind”

from “Happy human”

from “Quick thoughts and the deconstruction of my mind”

from “Quick thoughts and the deconstruction of my mind”

from “Quick thoughts and the deconstruction of my mind”


from SUBWAY-POPPY-STREETSCAPE

from KILT

from SUBWAY-POPPY-STREETSCAPE

from KILT

from SUBWAY-POPPY-STREETSCAPE


from The Perpetual Guest IV

from The Perpetual Guest VII (White)

from The Perpetual Guest VI (White)

from The Perpetual Guest V (White)

from The Perpetual Guest VI (White)


from Installation Shots

from Paintings

from Installation Shots

from Installation Shots

from Paintings


from Trajectory Schema

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from Positioning Schema

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from Trajectory Schema


from Stone Blood of the Gods pt 2

from Stone Blood of the Gods

from Scrying Mirror

from Stone Blood of the Gods pt 2

from Cyan / Salt


from Rock, Paper, Earth

from Rock, Paper, Earth

from Rock, Paper, Earth

from Rock, Paper, Earth

from Rock, Paper, Earth


from We may not see them again,unless________.

from We may not see them again,unless________.

from We may not see them again,unless________.

from We may not see them again,unless________.

from We may not see them again,unless________.